Quick Guide: How To Improve Audio Quality (For Podcasts, Webinars, Zoom meetings, and more)

I’ve been podcasting for about 18 months now, and spend about 25 hours per week on video meetings. While I still have room to improve, I have identified several easy and simple ways to improve audio quality.

I’ve arranged this post to give as much information as quickly as possible, so even if you only have 2 minutes, you’ll get a few actionable take-aways. And if you keep reading, you’ll learn more subtle tips and the reasons why they work.

If You Do Nothing Else

If you do nothing else, DO THIS:

  • Use headphones.
  • Use a dedicated microphone. And if your dedicated microphone has wireless or wired options, choose wired.
  • Turn off anything that might create background noise. That would be phones, fans, clocks, etc.
  • Always double check that you are using the microphone you think you area.

Why? Headphones will prevent the audio you are receiving from feeding-back into your microphone. This feedback and result in distracting echo, or worse. A dedicated microphone will usually pick up less background noise and be higher quality.

Wireless microphones can be acceptable, but speaking from experience, I’ve had bluetooth stop working mid-discussion, causing some low quality backup microphone take over. And some bluetooth microphones are terrible- the compression used to squeeze audio into lower bandwidth wireless is just plain bad.

Background noises are easily filtered by our brains, but turn into surprising distractions in recordings. The tick-tock of a clock suddenly becomes reminiscent of an Edgar Allan Poe short story. The notification from a mobile device is jarring and startling. That quiet unscrewing of a metal water container takes over the audio.

The Samson Q2U is a great value. A dynamic mic with USB and XLR connectors.

Choosing and Treating a Location to Record

  • Pick a location with a lot of soft and uneven surfaces.
  • If possible, add MORE soft surfaces.

For many of us, there isn’t much of a choice on where to attend your recording session. But if you have a choice, pick a location with a lot of soft surfaces. This is needed to reduce reverb and echo.

Sound is amazingly good at reflecting. And our brains are amazingly good at filtering these echoes in real life. But just like with background noises, when listening to recordings our brains don’t get the same signals, and these echoes become distracting.

As an example, think about a kitchen or bathroom that you’ve been in where every surface is hard tile, granite, metal, etc. Even then our brains struggle to filter the echo. When recording at home, sound reflecting off of your monitor may cause enough echo to be distracting to a listener! We’ll discuss how to reduce that later.

For now, just try to pick a location that has soft surfaces, such as curtains covering the windows, cloth furniture. Even bookcases filled with books is pretty good, since it creates a lot of uneven surfaces to disperse soundwaves.

Many professionals, when COVID hit, started recording from their closets when they no longer had recording studio access! Hanging clothing proved to be a good sound treatment.

In the “more tips” section below I discuss additional acoustic treatments.

Noise Reduction Technologies – Far From Perfect

Just a quick note on the various noise reduction technologies. Most of them work (i.e. Zoom, Google Meet, or AirPods), but they do have limitation. Do not expect miracles.

The flakiest, in my experience, has been Apple AirPod microphone noise reduction. When there is any noise that I’d consider moderate or higher, the reduction algorithm seriously degrades the voice quality, making it muffled and choppy. Now, yes, it does work for some types of noise, but I’ve had multiple instances recording my podcast or in work meetings where audio quality is actually improved by using something other than AirPods as a microphone.

Regardless, it is always better to eliminate/minimize noises in the first place, rather than rely on noise reduction technologies.

But I Have a Good Microphone!

That’s great! I see lots of people with quality microphones like the $70 Samson Q2U, which is possibly the best value microphone available today, the popular Blue Yeti, old reliable can’t-go-wrong and nearly indestructible $90 Shure SM58, or even high end mics like the Shure SM-7B. The problem is, only about half the time are these mics set up properly. An improperly used high quality mic may even sound worse than a built-in microphone on a laptop.

Here are my quick-start tips for quality microphones:

  • Use a windscreen or a pop filter, even if indoors. My preference is a windscreen – cheaper, takes less space.
  • Understand if your microphone is Dynamic or Condenser. If you are buying a microphone for general purpose use at home, I recommend a Dynamic Mic.
A simple foam windscreen will reduce “plosive” sounds. I use one all the time, even indoors.

If You Have a Condenser Mic

Condenser mics are “active” mics that are powered. They generally have more gain (ability to pick up quieter noises, and thus sounds from farther away). They tend to have better frequency response (accuracy) across the audio spectrum, and are less durable than a Dynamic mic.

  • If it is a Condenser Mic, be aware that it will pick up more background sounds. Sound treatment of your room is more important.
  • Place the microphone 6-12″ (15-30 cm) away from your mouth. Reduce the “gain” (amplification) accordingly to help reduce background noise.

If You Have a Dynamic Mic

Dynamic microphones do not require external power. Thus, they don’t pickup quiet sounds as well. This makes them ideal for home environments where there may be background noises (like a neighbor’s leaf blower, or the washing machine clunking). They are usually quite durable microphones that travel well.

  • Dynamic mics require being placed close to the mouth – 2-6″ (5-15 cm) away. This might feel uncomfortably close at first, but this is needed for the best frequency response. This might require getting a mic stand or boom arm – see the next section.
  • Place the microphone at an angle to your mouth (like 45 degrees, pointing towards the corner of your mouth). In other words, don’t talk directly into the mic, otherwise you’ll get more “plosive” sounds from “p’s” and “d’s”. See also: get a windscreen or pop filter.

Reducing Vibrations

If your mic is on a stand on your desk, it will be susceptible to thumps and bumps if you touch your your desk. Even moving my mouse would sometimes be picked up as low-frequency vibrations. Of course, you can just accept this, and be very careful not to touch anything while recording. Or some of this may be perfectly acceptable for video conferences or informal presentations. But if you want the highest quality, you’ll want to consider the following.

  • Mount you microphone using a shock mount. This reduces vibrations.
  • Use a Boom Arm rather than a mic stand, attached to a spot that won’t be bumped.
  • If you are using a mic stand and you don’t want or can’t afford the above options, you may try placing a piece of foam or a few layers of soft cloth under your mic stand.

A shock mount is a pretty cool piece of engineering – simple, inexpensive, and effective. Note that some microphones, like the Shure SM58, have a basic built-in shock mount that helps, but often is not enough.

A boom arm requires some commitment because it takes up space. However, it allows you to get optimal mic placement (see above for distance from mouth requirements), and it allows you to isolate vibrations. Many (most?) boom arms come with a shock mount as well.

More Tips

The above tips will probably get you most of what you are looking for. But what if you still need more? Here are a few extra tips for particularly challenging rooms.

Rooms With Poor Acoustics

As mentioned above, rooms with soft uneven surfaces are best to reduce echo and reverb. But what if you don’t have that option?

  • Use a dynamic mic. As mentioned above, dynamic mics pick up less background noises.
  • Reduce mic gain. There are many tutorials online, and each computer operating system or recording device has different methods, so I’ll leave this to you to research.
  • Improve sound treatment. Hang up some blankets on the walls. Throw a few pillows in the room (pillows in the corners of the room often provide the most improvement). Get creative. If you want to have a permanent, more attractive look, consider buying acoustic panels (some are quite attractive) or hanging some tapestries or other cloth art.

Regarding Acoustic Panels – Know Before You Buy

Acoustic panels will NOT sound-proof a room. i.e. they won’t reduce the amount of sound infiltration from other rooms or outdoors. They will reduce reflections (echo and reverb), which as mentioned above, become very annoying in recordings or on real-time video stream/calls.

Also be aware that in most experiences, people often need many more acoustic panels than they realize.

Acoustic panels can be very cheap, such as compressible foam “egg crate” style, moderately expensive cloth panels (such as this style that I use), or very expensive art panels.

You’ll want to treat all of the walls in your room – front, sides, and rear. You may even want to treat the ceiling. But the bare minimum would be walls that are in the direct line-of-travel of the sound you want to dampen.

Alternatively, you can purchase or make (using those “egg crate” style panels) a sound box that envelopes the microphone on the sides, rear, and top. This will reduce reflection from everywhere but behind you.

Sound Reflecting off of Computer Monitor

This can often be fixed with better mic placement. Imagine the words coming out of your mouth are visible, and transmit in a straight line (actually, they disperse, but the strongest audio projects directly). They then reflect off anything in their path. Think geometrically…what angle do they reflect off the monitor? Is it back towards your microphone? If so, move your microphone and change your orientation until that direct line is NOT back towards your mic. Maybe even angle or tilt your monitor a bit to redirect the reflection.

Alternatively, you can purchase or make (using those “egg crate” style panels) a sound box that envelopes the microphone on the sides, rear, and top. This will reduce reflection from everywhere but behind you.

A “furry” windscreen for outdoors on windy days. These are sometimes called “dead cats” or “dead rats”.

If Recording Outside

When outdoors, wind becomes a big problem. But hey, at least sound reflections shouldn’t be a problem!

If you are mobile outside, you might be using a more complex mic system, like a lav system, to allow for mobility and hands-free. That is beyond the scope of this article. Instead, I’m going to assume handheld mics. Again, in this circumstance a dynamic mic is better (more durable, less background noise, no power required).

Of course, a traditional foam wind screen helps, but usually it is not enough. You can upgrade to “furry” wind screens, which is sometimes called a “dead cat” or a “dead rat”. You might wonder “why not use this all the time to reduce ‘plosives’? Well, the trade off is that audio accuracy/frequency response is degraded slightly.

You might want to have a specialized outdoor mic, like the Rode Reporter Mic. I haven’t used this mic myself, but it is what I plan to buy next, based partly on this review showing just how well it handles wind.

What Tips Do You Have?

What has worked for you? Any other suggestions? Please leave a comment!


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